Spengler describes what has been happening recently in textual analysis of early Koranic manuscripts. First, why is it so all-fired important?
No one is going to produce proof that Jesus Christ did not rise from the grave three days after the Crucifixion, of course. Humankind will choose to believe or not that God revealed Himself in this fashion. But Islam stands at risk of a Da Vinci Code effect, for in Islam, God’s self-revelation took the form not of the Exodus, nor the revelation at Mount Sinai, nor the Resurrection, but rather a book, namely the Koran. The Encyclopaedia of Islam (1982) observes, “The closest analogue in Christian belief to the role of the Koran in Muslim belief is not the Bible, but Christ.” The Koran alone is the revelatory event in Islam.What if scholars can prove beyond reasonable doubt that the Koran was not dictated by the Archangel Gabriel to the Prophet Mohammad during the 7th century, but rather was redacted by later writers drawing on a variety of extant Christian and Jewish sources? That would be the precise equivalent of proving that the Jesus Christ of the Gospels really was a composite of several individuals, some of whom lived a century or two apart.
Now, listen to Andrew Higgins’ story.
In 1857, a Paris academy offered a prize for the best “critical history” of the Quran. A German, Theodor Nöldeke, won. His entry became the cornerstone of future Western research. […]The Munich archive began with one of Mr. Nöldeke’s protégés, Gotthelf Bergsträsser. As Germany slid towards fascism early last century, he hunted down old copies of the Quran in the Middle East, North Africa and Europe. He took photographs of them with a Leica camera.
In 1933, a few months after Hitler became chancellor, Mr. Bergsträsser, an experienced climber, died in the Bavarian Alps. His body was never given an autopsy; rumors spread of suicide or foul play.
His work was taken up by Otto Pretzl, another German Arabist. He too set off with a Leica. In a 1934 journey to Morocco, he wangled his way into a royal library containing an old copy of the Quran and won over initially suspicious clerics, he said in a handwritten report about his trip.
The Nazis began to use Arabists early in the war when German forces began pushing into regions with large Muslim populations, first North Africa and then the Soviet Union. Scholars were used to broadcast propaganda and to help set up mullah schools for Muslims recruited into the German armed forces.
Mr. Pretzl, the manuscript collector, appears to have worked largely in military intelligence. He interrogated Arabic-speaking soldiers captured in the invasion of France, then, according to some accounts, set off on a mission to stir up an Arab uprising against British troops in Iraq. His plane crashed.
Responsibility for the Quran archive fell to Mr. Spitaler, who had helped collect some of the photos. During the war, Mr. Spitaler served in the command offices in Germany and later as an Arabic linguist in Austria, gaining only a modest military rank, records indicate.
After the war, he returned to academia. Instead of reviving the Quran project, he embarked on a laborious but less-sensitive endeavor, a dictionary of classical Arabic. After nearly half a century of work, definitions were published only for words beginning with two letters of the 28-letter Arabic alphabet.
The archive in question consisted of 450 rolls of film filled with photographs of early Koranic manuscripts that were assembled by Bergsträsser before WW2.
During World War II, this collection was said to be destroyed.
On the night of April 24, 1944, British air force bombers hammered a former Jesuit college here housing the Bavarian Academy of Science. The 16th-century building crumpled in the inferno. Among the treasures lost, later lamented Anton Spitaler, an Arabic scholar at the academy, was a unique photo archive of ancient manuscripts of the Quran.The 450 rolls of film had been assembled before the war for a bold venture: a study of the evolution of the Quran, the text Muslims view as the verbatim transcript of God’s word. The wartime destruction made the project “outright impossible,” Mr. Spitaler wrote in the 1970s.
Mr. Spitaler was lying. The cache of photos survived, and he was sitting on it all along.
It was not destroyed. It was merely hidden, secreted away from other academics, by an overly careful scholar who worked at a glacial pace.
Now it is being worked, slowly, but not glacially so, and privately. Doubtless those who work on the analysis are nervous, and for good reason. For somewhere dark figures plot Jihad against the project to analyze the ancient Koranic manuscripts, much as a self-flagellating albino monk assassin prepared himself for holy warfare in The DaVinci Code. Only this time it’s not fiction.
God bless and transport you, dear scholars. Your task is of import. And I pray that He guides you to releasing the images on the Internet so that they can never be locked up and hidden away again. That will be the only way your task can be completed in safety.
h/t: Ace of Spades
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